Much of it was not used but it was really a joy to explore them and push ourselves.Ĭan you tell us how you designed the main title? We came back with additional ideas and tests that really pushed us to our limit creatively. Jon and Janek had so many ideas about things that were so inspiring to think about. That level of collaboration is what made everything work so well – it really gave all of us the leverage to explore everything deeply. What was exciting is that we were called in very early to help them visualize everything before shooting principal photography. It was our first time working with Janek.
IRON MAN SHOOT TO THRILL SCENE MOVIE
We had worked with Jon on the first movie so it was a thrill to be asked again. How was your collaboration with director Jon Favreau and the production visual effects supervisor Janek Sirrs? We also shot live action to supplement the main title edit as well as designed the animated typography for the credits. We designed the visual effects for all the holographic and computer screen interfaces and interactions that occur in Tony Stark’s lab.
IRON MAN SHOOT TO THRILL SCENE TV
I’m now a Director at Prologue Films – I create main titles and direct live action sequences for film, tv promos and commercials. Watching the computing industry transform the arts was very inspiring – it finally seemed that anything is possible for the individual – even someone like myself who did not go through art school. I feel lucky – I was also there when the shift to digital video started happening as well as the beginning of web publishing.
When the color models came out in 1990 everything changed.
I started as a self-taught designer that loved using computers during a time when the industry did not take them seriously as a graphic design tool. Danny Yount started as an self-taught designer and creates film credits in Prologue Films for projects such as IRON MAN or ROCKnROLLA.
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